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Cast: |
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| Hajjo
|
: |
Preeta
Mathur |
| Aazar
|
: |
Dinesh
Thakur |
| Dindayal
|
: |
Aman
Gupta |
| Begum
Bakar |
: |
Rajeeta Kochhar |
| Khursheed |
: |
Mehazabeen
Raja |
| Fareed
|
: |
Sunil
Vyas |
| Annabi |
: |
Gargi
Thripathi |
| Khairati |
: |
Atul
Mathur |
| Phoopi
Amma |
: |
Dolly
Thakur |
| Khidmatgar
|
: |
Arvid
Koli |
| Crowd |
: |
Arvin
Koli, Parvin, Dheeresh, , Rohan and others . |
| Taxi
driver |
: |
Rakesh
Singh |
Synopsis:
A Hindustani
version of Begum Kudsia Zaidi's "Aazar Ka Khwaab"
Which is an adaptation of George Bernad Shaw's classic romance, Pygmalion.
A Professor of Phonetics, Aazar takes up his good friend, Deendayal's
challenge to turn a fruit seller from the street, Hajjo into a Begum,
a woman of consequence, charm and grace, fit to attend the elite gathering
at the French consulate. The challenge is successfully met an as the two
friends celebrate their success; they hardly have a word of congratulation
for Hajjo.
Busy congratulating each other, they totally overlook Hajjo's hardwork
and diligence. Being thus ignored, Hajjo is cut to the quick. She is aware
that she has only been used. Completely unhappy at Aazar's unfeeling
Words and fare with her question mark about her own future, Hajjo leaves
Aazar's house. But no sooner has her absence been realised, Aazar beigns
to miss her presence and goes even to the extent of reporting to the police
in a bid to find her.
But having found her there is no great reunion or reconciliation !
Hajjo by now has had time to think and what follows is the classic battle
between the creator and creation even as the creation threatens to become
the creator herself! The age-old war of the sexes is given more profound
voice arising out of their own individual emotional complexities.
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| Cast |
 |
| Clerk |
: |
Atul
Mathur |
| Ex
chief Minister |
: |
Dinesh
Thakur |
| Party
Workers |
: |
Praveen
Ranglani, Akash, Rakesh Rai, Vikas, Ritu and others. |
| Aadmi
|
: |
Brijendra
Mishra. |
Synopsis
VIJAY TENDULKAR'S HILARIOUS HARDCORE POLITICAL SATIRE
A HINDI VERSION OF HIS ORIGINAL MARATHI COMMEDY "NIYATICHYA BAILALA"
BY DR VASANT DEO
One fine morning an ordinary clerk and ex-Chief Ministers who had been
sacked meet by chance at the beach. Their conversation reveals the hidden
side of politics, the dirty games and wicked ways of politicians
.
Suddenly they perceive a crowd gathering. To avoid any problems, the Chief
Minister persuades the clerk to exchange clothes with him, but in the
hurry, their faces also get exchanged. The party crowd takes the clerk
to the Chief Minister and reinstates him in the C.M.'s post as high command
orders
. They meet once again after one year
. The meeting leads
to a hilarious, funny, and thought- provoking climax
.
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| Khamosh!
Adalat Jari Hai: |
 |
Cast |
|
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| Leela
Benare |
: |
Preeta Mathur Thakur |
| Samant
|
: |
Aman
Gupta |
| Ponkshe |
: |
Rakesh
singh |
| Karnik |
: |
Atul
Mathur |
| Sukhtatme |
: |
Ravi
Jhankhal |
| Mr.
Kashikar |
: |
S.C
Makhija |
| Mrs.
Kashikar |
: |
Indu
Mankodi |
| Balu
Rokde |
: |
Akul
Tripathi |
Synopsis
Vijay Tendulkar's contemporary classic satire.
A Hindi translation of his original Marathi, Shantata! Court chalu Ahe
by Prof. Kamalkar sontake.
A Searing play about a women at the mercy of social forces that threatens
to engulp her. Working on various levels, the play reveals her plight
amid the inner violence prevailing in the society, revealed through a
mock trial by a group of actors, that rises to a dramatic crescendo.
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| Cast |
|
| Nath
Devlalkar |
: |
Dinesh
Thakur |
| Jyoti
|
: |
Preeta
Mathur Thakur |
| Jaya
Prakash |
: |
Atul Mathur |
| Seva |
: |
Rajita
Kochhar |
| Arun
Athawale |
: |
Aman
Gupta |
| Hammir
Rao |
: |
Aakash |
| Waman
Rao |
: |
Rakesh Rai |
Synopsis:
VIJAY TENDULKAR'S THOUGHT-PROVOKING DRAMA OF HUMAN VALUES!
A HINDI
VERSION OF HIS ORIGIANL MARATHI PLAY OF THE SAME TITLE BY DR. VASANT DEO.Kanyaadaan
is the story of Nath Deolalikar, a Gandhian and democratic M.L.A
of
his belief in socialistic philosophy
of her increasing disillusionment
with his ideals in conflict that faces the family as a result.It is a
drama of the internal turmoil arising out of ethically accepted ideals
faced with stark reality.
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| Cast |
|
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| Anant
Rajyadhayaksh |
: |
Dinesh
Thakur |
| Pragya |
: |
Lubna
Salim Arif |
| Uttara |
: |
Meenal
Patel |
| Vasanti
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|
Preeta
Mathur Thakur |
Synopsis:
Mahesh Elkunchwar's drama of Human Relationships.
A Hindi version of his original play of the same title by
Dr. Vasant Deo.Anant Rajyadhayaksh, a famous literary figure
and well known novelist at the age of 78 years, begins to
write his autobiography aided by a young girl, who is a research
scholar doing her thesis on his work. As the journey into
the past unfolds, pain and misery of relationships with his
estranged wife and sister-inlaw, his version of facts come
into question
Creative licence gives the writer the right
to tell his version of the story, but does he have the same
licence to bury the truth among the myriad lies and half truths
in an autobiography? And if so, what about the truth, the
injustice done to those associated with it and the veracity
of History? Aatmakatha poses these questions in an intensly
dramatic manner.At another level aatmakatha is also confrontation
of the creation with their creator
.
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|
Cast |
| Nandini
Diwan |
: |
Pari
Jhaveri |
| Sarla |
: |
Neetu
Puri |
| Rajeev
Pradhan |
: |
Aman
Gupta |
| Diwan |
: |
Dinesh
Thakur |
| Seema |
: |
Preeta Mathur Thakur |
| Inspector
Rathod |
: |
Atul Mathur |
| Constable |
: |
Syed |
| Judge
Raizada |
: |
S.C Makhija |
| Clerk
of the court |
: |
Rakesh
singh |
| Naqeeb |
: |
Dheeresh |
| Dr.
Brahme |
: |
Unmesh
Brahme |
| Lab.
Assitant |
: |
Prabal
Majumadar |
| Julia
Francis |
: |
Rajita
Kochhar |
| Gurudyal
Singh Bedi |
: |
Pawan Chopra |
Synopsis:
A
spine-chilling Thriller.
A Hindi version of Agatha Christie's classic murder-mystery 'Witness for
the Prosecution'.
A story of eternal greed, ruthless ambition, passion and murder. All the
evil that one derives from the prevailing consumeristic culture, cut-throat
competition and wild dreams of success. A scathing commentary of our times
with suspense, drama and mystery of human mind.
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Synopsis
Girish Karnad's TUGHLAQ is originally a Kannada play translated in Hindi
by B.V Karanth. It is a historical play about the life and times of the
14th century Indian ruler Mohammed-Bin-Tughlaq, who has been denounced
by historians as a mad king. He impulsively changed his capital from Delhi
to Daulatabad and circulated copper coins at the same cost as silver coins,
which were already in circulation. But surrounded progressivly by religious
fanatics.
Tughlaq
was much more than that. He was a ruler in search of human beings, not
Hindus or Muslims. He was a secular king, in the true sense, who never
differentiated between caste and creed. He was born much ahead of his
time. The play shows the tragic consequences of the life of a visionary
ruler who was not able to realize his dreams. His well-meaning ideas only
brought misery to the people, while the unscrupulous, twisted them to
suit their selfish needs. In a very perceptive exploration of the psyche
of a sensitive but internally divided man, the play reveals the relation
of his actions with social, political and economic conditions of his time.
It is an epic tragedy, which has been produced with all the grandeur and
pomp to create the needed atmosphere.
TUGHLAQ
is not just another historical drama, it also relates to our times. There
are several parallels on various levels, which make this play a contemporary
as today's newspaper.
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